SOhttps://www.eitb.eus/eu/irratia/euskadi-irratia/programak/arratsean/osoa/7850904/inaki-segurola-sed-quia-suaz-arratsean-euskadi-irratian---------/ Iñaki Segurola sed quia suaz, berea delako 'Sed quia sua' idatzi du Segurolak 'Quosque tandem' oteizarraren oihartzun modura. Hizkuntzatik, beti ere. Hizkuntza honek zer dioen antzemateko saioa. Izenburupekoa, eta edukiaren nondik norakoa. Argibide gehiago, Segurolak berak.
L'analyse philosophique du mental chez Wittgenstein Chiara Pastorini Dans Le Philosophoire 2007/2 (n° 29), pages 281 à 299. Les jeux se constituent de langage et pratique (« Quel che ha luogo è un po’ di comportamento e un po’ di conversazione. Un paio di proposizioni qua e là, e un paio di azioni », cf. LS, I, § 913), et c’est seulement dans le courant de la vie que les mots acquièrent leur signification (cf. LS, II, p. 186). L’introspection, dont la valeur est niée en tant que bas...
Fluxfilm Anthology 1962-1970 Yoko Ono - One (1965) 5'06, b&w, silent Fluxfilm Anthology Dating from the sixties and compiled by George Maciunas (1931-1978, founder of Fluxus), Fluxfilm Anthology is a document consisting of 37 short films ranging from 10 seconds to 10 minutes in length. These films (some of which were meant to be screened as continuous loops) were shown as part of the events and happenings of the New York avant-garde. Made by the artists ranging from Nam June Paik and Wolf Vostell to Yoko Ono, they celebrate the ephemeral humor of the Fluxus mov...
Hilary Harris 1929-1999 Organism (1975) Before KOYAANISQATSI, there was ORGANISM. Hilary Harris actually contributed some of his innovative time-lapse footage to Godfrey Reggio’s art-house blockbuster but his ORGANISM remains a singular achievement. Shot over the course of fifteen years, the film deepens its splendid visual investigations of how New York works by likening the city’s complex systems to those of a single biological organism. Harris is hardly the first to suggest this metaphor but it registers with fresh life in his canny mo...
William S. Burroughs (1914-1997) Back to William S. Burroughs French Television Interview (French / English language) (1990) RESOURCES: William S. Burroughs in UbuWeb Sound
UbuWeb Jacques Derrida (1925-1995) Back to Jacques Derrida Jacques Derrida : Qu'est ce qu'un acte de création ? (1987) (Vidéo) Jacques Derrida : Qu'est ce qu'un acte de création ? Conférence à l’École nationale supérieure des métiers de l’image et du son (La Fémis) de Paris (1987) RESOURCES: Jacques Derrida in UbuWeb Sound
Michel Foucault (1925-1984) Back to Michel Foucault Beyond Good and Evil (1993), documentary Michel Foucault’s colorful life and hugely influential work were both struggles against limitation—the limits of language, of social structures and stultifying historical identities. As such, he managed to provoke scholars of every possible persuasion, since he called into question all positive programs—the ancient imperial, feudal, and liberal humanist—while steadfastly refusing to replace them with comprehensive alternative systems. And yet systems, social institu...
Arthur Rimbaud 1854-1891 Back to Arthur Rimbaud Arthur Rimbaud - Une biographie (1991) Duration: 145 Minutes French language France / Switzerland, 1991 Directed by Richard Dindo “A documentary fiction” on the life and death of Arthur Rimbaud (1854–1891), based on his own writings and on information from the people who knew him best: his mother, his sister, a childhood friend, a teacher, the poet Paul Verlaine, an employer in Aden and a business associate. TOUTE LUNE EST ATROCE ET TOUT SOLEIL AMER
About UbuWeb Excerpted & adapted from Duchamp is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb Founded in 1996, UbuWeb is a pirate shadow library consisting of hundreds of thousands of freely downloadable avant-garde artifacts. By the letter of the law, the site is questionable; we openly violate copyright norms and almost never ask for permission. Most everything on the site is pilfered, ripped, and swiped from other places, then reposted. We’ve never been sued—never even come close. UbuWeb functions on no money—we don’t take it, we don’t ...
Kenneth Goldsmith est un paradoxe : un auteur reçu à la Maison Blanche en disant qu’il avait volé les mots des autres, un écrivain qui fait l’apologie du plagiat. Provocateur pour les uns, grand poète pour les autres. Par Claire Richard « J’ai été artiste, puis je suis devenu poète, puis écrivain. Maintenant, quand on me le demande, je me décris simplement comme un instrument de traitement de texte.“ Kenneth Goldsmith est un vivant paradox...
